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LARRY KAGAN

 

 

For the past twenty years, Kagan has been engaged with the process of creating a hybrid form of sculpture that combines the solid component of a steel wire sculpture and the specific shadow it casts on the wall in a way that challenges expectations. The form of the shadow suggests the presence of a material object that should be casting it, but in fact does not exist. The objects in Kagan’s repertoire of shadow images include a chair, book, bald eagle, stiletto, and a portrait of George Washington. The perceptual dualism of the three-dimensional abstract object casting an entirely figurative but dissimilar shadow when illuminated is at the heart of Kagan’s work.

 

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